Showing posts with label Studio Importance. Show all posts
Showing posts with label Studio Importance. Show all posts

Sunday, February 8, 2015

The Beatles in the Studio -- Song 6 -- "I Want To Hold Your Hand"

As with most of our "Beatles in the Studio" blog article series, feel free to listen to the song while you read -- a link is provided at the bottom of the page!

The Story:

Although Beatlemania was in full force in the UK with the success of "She Loves You", "I Want To Hold Your Hand" is the song (the single) that actually gave birth to Beatlemania in the United States.  In Great Britain alone, when the single was released, it already had prior sales of over 1 Million copies.  In the U.S. despite refusal by Capitol records to release it, the song was heard on nearly ALL American radio stations - a release by Parlophone -- which was started by the actions of Washington disc jockey Carroll James, who found the UK single and aired it at the persistent request of a young female listener.

After the first broadcast, the popularity went "viral" - no small feat prior to the computer age.  In the face of such public enthusiasm, nearly ALL radio station followed suit.  Of course the single became number 1 by January 10 after a December 26 release.  Not far behind it was the B side of the single "I  Saw Her Standing There".  The rest is history, one of the most remarkable and meteoric rises to fame and glory as has ever been told in entertainment history.  In NYC it was estimated that approximately 10,000 copies of "I Want To Hold Your Hand" were sold every HOUR.  In the end, by the time the single began to drop off the charts, it had sold more than 5 million copies.

The Beatles first American tour was quickly planned and organized for February, 1964, including the booking of the Ed Sullivan show.

Songwriting

This song that really launched the meteoric career of the Beatles was actually written the night before it's recording, on the evening of October 16, 1963, in the little music room at the Asher family home (Paul's actress girlfriend) at 57 Wimpole Street in London.  John and Paul both were sitting at the family piano at the same time, and they hammered out the simple melody.  Eyeball to Eyeball writing.

Studio Date:  

October 17, 1963

Location:  

Abbey Road Studios, London, Studio Two

Songwriting Credit:

John Lennon/Paul McCartney

Personnel:

John Lennon -- Vocals, Rhythm Guitar, Hand Claps
George Harrison -- Lead Guitar, Hand Claps
Paul McCartney -- Vocals, Bass Guitar, Hand Claps
Ringo Starr -- Drums, Hand Claps

Technical:

Producer: -- George Martin
Engineer: -- Norman Smith
Asst. Engineer: -- Geoff Emerick
Instruments:

The Beatles relied on using their stage gear for this recording:

John Lennon -- 1958 Rickenbacker 325 Capri
George Harrison -- 1957 Gretsch 6128 Duo Jet
Paul McCartney -- Höfner model 500/1 "violin" bass

Recording Legacy/Recording Innovation:

This was the Beatles first recording using a 4 track recorder (Telefunken T9u and M10 recorders).  They were able to record the rhythm first, then concentrate on the vocals - and finish with the trademark "Hand Clapping" in a joyous atmosphere (you can really hear the smiles in the claps).  The 4 track machines allowed a level of composition/creation in the studio (rather than try to move through a complete song in 1 take) -- the Beatles were soon to take advantage of this and bring studio recording and the level of creativity possible in a studio to new heights.


Listen:





Saturday, January 24, 2015

The Beatles in the Studio -- Song 4 -- "Misery"

George Martin and John Lennon, 2/11/63

As with most of our "Beatles in the Studio" blog article series, feel free to listen to the song while you read -- a link is provided at the bottom of the page!

The Story:

"Misery" was a simple "McCartney/Lennon" composition (it wasn't until after "She Loves You" was released that the famous "Lennon/McCartney" tag began to be used).  The song was crafted initially as a song for British Pop Star Helen Shapiro to sing.  Helen Shapiro had a couple of charted hits at the time, and was part of their tour, so John and Paul thought that if they wrote a song for Helen to sing, then that would have been a coup (exposure!) for them as fledgling songwriters!

Important:  It's important to note that in addition to being musicians and rockers, the Beatles -- especially John and Paul -- considered themselves SONGWRITERS -- a very important distinction for them.  This is what they wanted to be - they began that way.

In the end, Helen's manager Norrie Paramor turned it down without telling Helen. Eventually, another tour mate, Kenny Lynch, ended up singing the song, making it the first Beatles song to ever be covered.

The significance of "Misery" is that it also represented a technical "first" in the studio, concerning the George Martin overdub, which involved the change of speed of recording to gain a specific sound quality, see below.

The "Please Please Me" album sessions were amazing.  The Beatles, fresh in from a UK tour the night before, were exhausted.  John Lennon was worse than exhausted, he was flat out sick, having a sore throat and fever - relying heavily on a box of cough lozenges next to his carton of cigarettes.  Despite all this, they began at 10:00 AM in Studio Two at Abbey Road, and by 10:45 PM had finished all 11 songs for the LP!

Songwriting

Simple crafted song originally written for British pop star Helen Shapiro, written backstage at King's Hall while on tour in Stroke-on-Trent, finished at Paul's Forthlin Road house together.  It was eventually covered by Kenny Lynch, becoming the first Beatles song to be performed by another artist!

Studio Date:  

February 11, 1963
Recording Session for LP "PLEASE PLEASE ME"

February 20, 1963
Overdub of piano to replace George Harrison's faulty guitar riff.

Location:  

Abbey Road Studios, London, Studio Two (February 11, 1963)
Abbey Road Studios, London, Studio One (February 20, 1963)

Songwriting Credit:

Paul McCartney/John Lennon

Technical Personnel:

Producer:  George Martin
Sound Engineer:  Norman Smith
Assistant Engineers:  Richard Langham, A. B. Lincoln, Geoff Emerick*

*First appearance of 16 year old sound engineer Geoff Emerick (eventually he would take over. as the sound engineer at Rubber Soul, and be instrumental in their most effective innovations)

Personnel:

John Lennon -- Backing Vocals, Acoustic Rhythm Guitar, Hand Claps
George Harrison -- Lead Guitar, Hand Claps
Paul McCartney -- Vocals, Bass Guitar, Hand Claps
Ringo Starr -- Drum, Hand Claps
George Martin -- Piano


Instruments:


John Lennon -- 1958 Rickenbacker 325 Capri
George Harrison -- 1957 Gretsch 6128 Duo Jet
Paul McCartney -- Höfner model 500/1 "violin" bass
Ringo Starr -- Premier Mahogany Duroplastic drum set
George Martin -- Upright Piano

Recording Legacy/Recording Innovation:


Recorded on Twin Track BTR3 tape recorders (two-track). 

Modifying recording and playback speed to create an effect.  In  this case, the final take of the song was recorded at double speed, 30 ips (inches per second) -- so that on February 20 George Martin could replace George Harrison's faulty guitar solo and record a piano fill/overdub at half speed (15 ips), then speed up the playback at 30 ips to create a crystal sound that resembled a honky tonk or harpsichord.  He added reverb while playing, which further effected the playback at double speed.  Martin used this technique repeatedly, including the famous piano solo in  "In My Life" in 1965.

This was the first example of creative genius in the studio - and it was George Martin (and Norman and Geoff Emerick) who accomplished it.  But it had a profound effect on the Beatles...


Listen: